The problem I'm having at the moment is developing a good Avid to DVD Studio Pro workflow that's reliable and maintain the correct colours/gamma throughout the whole process. Using Compressor 1.2, Final Cut Pro HD editors can save time, money, effort and hard disk space by encoding directly from HD to MPEG-2, and users can maximize the integrated workflow between Final Cut Pro HD and DVD Studio Pro 3.
Some bitter-sweet reader mail arrived in our cluttered. I am running Avid Media Composer 3.0.5 on a 2 x 2.8 GHz Quad-Core MacPro with 2 GB of RAM running Mac OS X 10.5.6 and Quicktime 7.6.0 (Build 1290). In addition to DV and SD, DVD Studio Pro 3 now provides the ability to scale HD and encode directly to MPEG-2 all in one step. I've used DVD Studio Pro when I was taking my audio engineering course, and I used it to make my DVD Portfolio.Īpparently, DVD Studio Pro is now only packaged with FCS, which sucks for me, because I really, really don't want the rest of that package. DVD Studio Pro 3.0.1, is strongly recommended for all users of DVD Studio Pro 3 and improves general stability, compiling when using long MPEG-1 video clips. Reader Mail: New DVD Studio Pro & X.1.3 () (3:00 A.M.) posted by Webmaster from the mail room. When not writing or producing DVD-Video, Martin teaches DVD Studio Pro and Logic Platinum as an Apple Certified Trainer.
However, I not only love to make DVD's, but I also would like to add that to a service that I could provide for anyone, aside from audio post engineering/score composing. Martin is the author of LiveStage Professional 3 for Macintosh and Windows: Visual QuickStart Guide, DVD Studio Pro 2 for Macintosh: Visual QuickPro Guide, and Apple Pro Training Series: Logic 6. I'm not a video guy (in regards to film editing, or filmmaking). I don't want to buy Final Cut Studio, especially when the majority of my hard drive is taken up by Logic, and the majority of my finances are taken up with things that don't involve video.